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| Model: | A |
| Production: | Jun 1935 to Oct 1938 |
| Size (W/D/H): | 48.5x47.0x38.5 (inches) |
| Weight (with bench & pedals): | 359 (lbs) |
| Style: | console |
| Finish: | American Walnut wood |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Pictures: | An AV (an A with vibrato fitted as a later addon) Model A, probably from a brochure Model A, with Mr Hammond A 1935 Model A in less than ideal condition |
| Notes: | One tone generator, one adjustable tremulant affecting both manuals and pedals equally. Same cabinet as B models, but not as deep. About 2500 made. Requires a tone cabinet to operate, otherwise needs a seperate B+ power supply. The A is not equipped with complex tone wheels, thus the bottom octave of the tone generator is wired to the manuals as well as the pedals; this means that there is no "foldback" in the bottom octave 16' drawbar, ie it has an extra octave below the later 3 series organs |
| Model: | A-100 series |
| Production: | 1959 to 1965 |
| Size (W/D/H): | 47.5x45.5x43.0 (inches) |
| Weight (with bench & pedals): | 391 (lbs) |
| Style: | console |
| Finish: | vinyl A-100 - Light Walnut / Traditional A-100 - Red Mahogany / Traditional A-101 - Translucent Black / Contemporary A-101 - Gray Mahogany / Contemporary A-102 - Light Cherry / French Provincial A-105 - Walnut / Institutional (C3 cabinet) A-105 - Oak / Institutional (C3 cabinet) A-122 - Patina Walnut / Contemporary A-143 - Medium Cherry / Early American A-102 - Dark Cherry / French Provincial A-101 - Brown Mahogany / Contemporary |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals, vibrato chorus (3 levels, great & swell), percussion (soft/normal, slow/fast, 2nd/3rd) |
| Amplification: | internal (valve) preamp and power amp and reverb amp |
| Power: | 27W |
| Speakers: | 3x12inch |
| Reverb: | early necklace, later springline |
| Pictures: | A standard A100 in a walnut finish A100 in light oak finish (not obvious from poor photo) An unusual cabinet A100 from a Hammond catalogue A unique A100 in a rosewood finish A100 from a catalogue A122 from a catalogue A105 from a catalogue A143 from a catalogue An A143 belonging to Alex Stettler A101 A101 A102 in cherry A105 |
| Notes: | Home style console, same as C3/B3 but with a built-in amp and speakers, including reverb. Cabinet has no flip top covering the manuals. |
| Model: | A-105 |
| Production: | 1962 to 1975 |
| Style: | console |
| Finish: | Light oak other Dark walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Amplification: | internal (valve) preamp and power amp and reverb amp |
| Power: | 27W |
| Speakers: | 3x12inch |
| Reverb: | early necklace, later springline |
| Pictures: | A105 |
| Notes: | Church style console, basically an A100 in a C3 case. |
| Model: | AB |
| Production: | Jun 1935 to Oct 1938 |
| Size (W/D/H): | 48.8x46.0x49.5 (inches) |
| Style: | console |
| Finish: | American Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Pictures: | AB, probably from a brochure |
| Notes: | Identical to the Model A internally, but in a deeper B style cabinet. One tone generator, one adjustable tremulant affecting both manuals and pedals equally. About 4000 made. |
| Model: | B-2 |
| Production: | Dec 1949 to Dec 1954 |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only |
| Pictures: | A B2 with a PR-40 tone cabinet B2 in a custom case B2 in a custom case B2 in a custom case Custom B2 bench |
| Notes: | In a B style case, the B2 is equipped with Hammond vibrato providing three degrees of true vibrato and chorus. The vibrato/chorus is selectable for each manual independently. It is not equipped with percussion, but does provide an additonal control for overall 'NORMAL' or 'SOFT' volume. One expression pedal controlling swell, great and pedals. |
| Model: | B200 |
| Size (W/D/H): | 47.0x29.0x10.5 (inches) |
| Weight (with bench & pedals): | 186 (lbs) |
| Style: | spinet |
| Manuals: | upper FC 44 keys, lower CC 49 keys |
| Pedals: | 13 note detachable |
| Controls: | 9 drawbars for upper & lower manuals, 2 drawbars (16ft and 8ft) for pedals, vibrato, percussion, sustain, reverb, keyclick etc |
| Notes: | A transistor portable drawbar organ. |
| Model: | B-3 |
| Production: | Jan 1955 to 1974 |
| Size (W/D/H): | 48.8x46.0x49.5 (inches) |
| Weight (with bench & pedals): | 425 (lbs) |
| Style: | console |
| Finish: | Cherry Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals, vibrato chorus (3 levels, great & swell), percussion (soft/normal, slow/fast, 2nd/3rd) |
| Amplification: | internal (valve) preamp only |
| Pictures: | A standard B3 Another B3 with the lid shut Lime Oak B3 (from Danny Callebaut) A very nice B3 & 147 A very nice B3 and 147 A B3 with an F100 modification A mint condition B3 A mint condition B3 B3 pedal board apparently never used A B3 from a catalogue A 'fake' B3 - this is actually a BC into which the guts of an A100/C3/RT3 have been put A 'fake' B3 - this is actually a BC into which the guts of an A100/C3/RT3 have been put A 'fake' B3 - this is actually a BC into which the guts of an A100/C3/RT3 have been put A 'fake' B3 - this is actually a BC into which the guts of an A100/C3/RT3 have been put |
| Notes: | The archetype, it is equipped with Hammond chorus/vibrato providing 3 levels of chorus and vibrato, selectable for each manual independently. It is equipped with Hammond Percussion. The percussion has four controls: ON/OFF, Volume: NORMAL/SOFT, Decay: SLOW/FAST, Harmonic: 2nd/3rd. One expression pedal controlling swell, great an pedals. All the 3 series organs, and others based on them (ie A100) have "complex" tonewheels in the lower octave, wired only to the pedals. The bottom octave on the 16' db is wired back to the 8' db. |
| Model: | B3000 |
| Size (W/D/H): | 47.0x39.0x29.0 (inches) |
| Weight (with bench & pedals): | 263 (lbs) |
| Style: | console |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, (lower B preset had different harmonics; 16ft,8ft,4ft,2ft,1ft mellow and bright), 2 (16ft and 8ft) for pedals |
| Pictures: | B3000 and with Leslie. |
| Notes: | Hammond's early big attempt at a portable B3. 2nd/3rd percussion as per B3, sustain, reverb, transposer, key click, built in Leslie controls (for HL722), vibrato (simulated), optional cover. No tone generator in here ... |
| Model: | B-A |
| Production: | Jan 1938 to Dec 1938 |
| Style: | console |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Pictures: | BA BA play controls BA with top closed BA showing piano roll BA inside |
| Notes: | Tonally and electrically similar to the Model BC console. In addition to normal playing, it could also be played with rolls similar to a player piano. About 200 made. Floor dimensions similar to the BC with a somewhat higher back section to accomodate pneumatic action. 425 lbs, with pedals and bench. |
| Model: | BC |
| Production: | Dec 1936 to Nov 1942 |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Pictures: | 1938 BC in need of restoration A BC with a DR20 and 31H (Scott Williams) BC in mahogany |
| Notes: | Identical to the model AB but with one additonal generator and appropriate switching to create a unique chorus effect; this does make it rather heavy. About 13000 made. |
| Model: | BCV |
| Production: | Dec 1949 to Dec 1954 |
| Pictures: | A really beautifully restored BCV by Thorir Baldursson |
| Notes: | Same as Model BC but has Hammond vibrato and vibrato chorus. This model was never factory produced - after 1945 a "vibrato" kit was sold which could be added to a BC. |
| Model: | BV |
| Production: | Apr 1946 to Dec 1949 |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Notes: | In a B-3 style case, the BV is in effect a model A equipped with a Hammond vibrato scanner providing three degrees of true vibrato and 'OFF' position, effective only on both manuals simultaneously, together with vibrato chorus usable in three different degrees and 'OFF'. It is not equipped with percussion. The vibrato switch is similar in appearance, function, and placement as on the B-3. It is a six-position rotary switch whose functions are V1-OFF-V2-OFF-V3-OFF. Chorus is selected by a toggle mounted on the stationary part of the music rack. |
| Model: | C |
| Production: | Sep 1939 to Jun 1942 |
| Size (W/D/H): | 48.8x47.0x46.0 (inches) |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Notes: | Same as model AB but with different 'church' style cabinet woodwork. Cabinet has closed back and sides, extending to the floor. These were produced after it became apparent that many churches (the primary market at the time) did not like the B style cabinets. |
| Model: | C-2 |
| Production: | Dec 1949 to Dec 1954 |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only |
| Notes: | Same as Model CV but with additional controls which provide vibrator on either or both manuals. Also addtional controls for 'NORMAL' or 'SOFT' overall volume. |
| Model: | C-2G, C-3G, HR-40G |
| Production: | Jun 1952 to Jan 1955 |
| Pictures: | G3 from 1939 from Gerard Visser |
| Notes: | These consoles are identical in appearance to the C-2 and C-3 except that a monitor speaker is located on the lower left hand side. The preamplifier in the C-2G is designed to operate the monitor speaker. In the C-3G the preamplifier is the same as in the C-3. A small auxiliary amplifier drives the monitor speaker. In both Models, B+ voltage from the tone cabinet is required to make the monitor speaker operative. The HR-40G is identical to the HR-40 except that it is equipped with a standard 6 conductor cable which must be used in conjunction with the C-2G console. |
| Model: | C-3 |
| Production: | Jan 1955 to 1974 |
| Size (W/D/H): | 48.8x46.0x49.5 (inches) |
| Weight (with bench & pedals): | 450 (lbs) |
| Style: | console |
| Finish: | Oak Special request Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals, vibrato chorus (3 levels, great & swell), percussion (soft/normal, slow/fast, 2nd/3rd) |
| Amplification: | internal (valve) preamp only |
| Pictures: | A late UK C3 with a 122 Nice C3 in dark walnut, lid open Nice C3 in dark walnut, lid closed A rare blonde oak finish C3 (note the white Leslie switch) (Jason Richard) C3 in white from an ice rink C3 A C3 from a catalogue A very nice 1963 C3 with PR-40 and Leslie 251 (Gary Smith) An immaculate blonde C3 lid open An immaculate blonde C3 lid closed |
| Notes: | Identical to B3, but in the C type cabinet. Early versions had 'quatrefoils'. US and UK cases are slightly different. |
| Model: | CV |
| Production: | Sep 1945 to Dec 1949 |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Notes: | A BV in a C style church model cabinet. |
| Model: | D |
| Production: | Jun 1939 to Nov 1942 |
| Finish: | Walnut |
| Pictures: | A Model D (with a DXR-20 tone cabinet) from Scott Williams |
| Notes: | A model BC in a C style case - these were not produced by Hammond, but manfactured from parts by dealers, ie Bosey & Hawkes in the UK. |
| Model: | D100 |
| Production: | 1963 to 1969 |
| Finish: | D-152 - Walnut D-155 - Oak |
| Amplification: | internal (valve) preamp and power amp |
| Power: | 50W |
| Speakers: | 2x12inch, 2x15inch |
| Reverb: | necklace |
| Pictures: | A D152 from Peter Jones Closeup of D152 solo pedal controls D100 D100 rear showing the extra PR40 amp, reverb amp and pedal solo controls |
| Notes: | Same as RT-3 but with built-in sound system including reverb control (in built PR40) - possibly the heaviest Hammond made. |
| Model: | DV |
| Notes: | Same as Model D but with Hammond vibrato, including vibrato chorus (see BCV). Not produced; kit added in the field. |
| Model: | E |
| Production: | Jul 1937 to Jul 1942 |
| Size (W/D/H): | 57.0x47.0x47.0 (inches) |
| Weight (with bench & pedals): | 579 (lbs) |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 32 note radiating, detachable |
| Controls: | 9 preset buttons and 2 sets of 9 harmonic drawbars for each manual, pedals - 4 numbered and labeled toe pistons, 2 drawbars (16ft and 8ft), and great to pedal 8ft coupler, 2 expression pedals, one for swell and one for great and pedals, visual position in |
| Amplification: | internal (valve) preamp only (requires external B+ supply) |
| Pictures: | Concert E Concert E A UK Concert E, lid open A UK Concert E, lid closed A closeup of the typewriter preset controls A closeup of the pedal indicators and controls E inside A UK Concert E serial plate A UK Concert E back |
| Notes: | Aimed at concert organists. Separate adjustable tremulants for swell and great manuals. Standard main and chorus generator units; 'ON' and 'OFF' switch for chorus. Contains two preamps; one for each manual (to have seperate swell controls). |
| Model: | E-100 |
| Production: | Jun 1965 to 1969 |
| Size (W/D/H): | 48.0x26.0x48.0 (inches) |
| Weight (with bench & pedals): | 410 (lbs) |
| Style: | console |
| Finish: | E-382 Italian Provincial in Walnut E-343 Early American in Cherry E-333 French Provincial in Cherry E-312 Traditional in Walnut E-311 Traditional in Mahogany E-265 Institutional in Oak E-262 Institutional in Walnut E-182 Italian Provincial in Walnut E-143 Early American in Cherry E-133 French Provincial in Cherry E-112 Traditional in Walnut E-111 Traditional in Mahogany |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 1 set of drawbars for each manual, 27 control tablets, 5 percussion voices, brush effect and cymbal, harp sustain and vibrato celeste |
| Pictures: | E118 E100 An E143 An E143 An E311 An E262 in a light finish with a folding lid Another E311 E311 back |
| Notes: | 79 tonewheel generator, photocell Expression pedal, straight and reverb tube amps, some solid state for features (pedal frequencies derived from a monophonic two stage divider). E100 - pre-voiced percussions, Harp Sustain and manual rhythm (Cymbal and Brush) E200 - Institutional version of E-100 with locking top, presets and stops adapted for liturgical music, no rhythm, fewer percussions E300 - Stripped-down version of E-100, no Harp Sustain, no rhythm |
| Model: | F100 |
| Production: | 1960 to 1964 |
| Pictures: | Attached to a B3 F100 front and F100 back from Mike Sweeney |
| Notes: | An all electric organ using vacuum tubes for tone generation. A 52 key manual split into two polyphonic sections ('accompaniment & treble) overlaid with a monophonic 'extra voice'. |
| Model: | G |
| Production: | Jun 1941 to Nov 1944 |
| Pictures: | G3 from 1939 from Gerard Visser |
| Notes: | [From the service manual...] 'The Model G consoles and tone cabinets were built for the Government, and now will be found in use throughout the United States and foreign contries in chapels of all services, Officers Clubs, or recreation service buildings. The console is identical to the Model D except for the decorative woodwork and provision for detchable handles. The tone cabinet (Model G-40) contains two amplifiers and four speaker mounted in a horizontal row and is electically similar to Model B-40 tone cabinets, but has a reverberation control unit.' Similar to C2-G, C3-G. |
| Model: | G100 |
| Production: | 1963 to 1965 |
| Pictures: | A G100 from a catalogue G165(#36 apparently) G165 close up of manuals G165 pedal board and foot stops G165 external amp racks |
| Notes: | Large church style organ with AGO 32 note pedalboard and stops instead of drawbars. Had a extra large tone generator to produce higher tones and a complex vibrato system. The G-100 also featured an external, double-wide rack mount cabinet that contained the power supply, a five motor-driven tremulants (single motor drives 5 scanners with a single belt) and the audio power amplifiers which were three Dynaco Stereo 70s, plus a Dynaco mono amplifier for the bass. |
| Model: | H-100 Series |
| Production: | 1965 to 1974 |
| Size (W/D/H): | 50.5x26.5x50.0 (inches) |
| Weight (with bench & pedals): | 445 (lbs) |
| Style: | console |
| Finish: | H-262 - Institutional Model with locking roll top, walnut, some preset and other differences H-324 - Comtempory in Pecan with built-in Auto-Rhythm H-382 - Italian Provincial in Walnut with built-in Auto-Rhythm H-395 - Mediterranean in Oak with built-in Auto-Rhythm H-195 - Mediterrean in Oak H-182 - Italian Provincial in Walnut H-143 - Early American in Cherry HX100 like H100 in X66 cabinet H-111 - Traditional styling in Mahogany H-112 - Traditional styling in Walnut H-133 - French Provincial in Cherry |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | One expression pedal effecting both manuals and pedals, tone compensated photo-cell type, kick switch mounted to pedal cancels vibrato, 9 presets and 2 adjust keys for each manual, 2 sets of 11 drawbars for upper manual, 2 sets of 10 drawbars for lower ma |
| Amplification: | stereo amp plus bass channel |
| Speakers: | 2x8inch, 1x15inch |
| Reverb: | springline |
| Pictures: | H100 |
| Notes: | 96 tonewheel generator with self-starting synchronous motor. Tones go up to a high B (around 8,000Hz), then foldback. Foldback note: 16' goes all the way down, the higher harmonic in the mixture drawbars does not foldback. Reiteration, percussion touch control, harp sustain, string bass, lots of vibrato/chorus controls, reverb controls. Mixture of valve & solid state electronics. |
| Model: | J-100 |
| Pictures: | J100 |
| Notes: | Non-tonewheel Spinet Model, transistor design, no drawbars. |
| Model: | K |
| Pictures: | Model K (in terrble condition) from Antonello Giovannelli, Italy. |
| Notes: | Made by Boosey & Hawkes (London) in the late 1930s using BC parts shipped in from the USA in a case built locally to a broad 'C' style - basically the same as a model D. |
| Model: | K-100 |
| Notes: | Basically an L100 with valve generated tones instead of tonewheels. |
| Model: | L-100 |
| Production: | 1961 to 1972 |
| Size (W/D/H): | 43.5x23.0x44.5 (inches) |
| Style: | spinet |
| Finish: | L200 style had built in Leslie L100P portable version (EU only) L-16? had folding lid L-143 - French Provincial, Pecan L-133 - French Provincial, Cherry L-122 - Contemporary, Walnut L-112 - Contemporary, Mahogany L-111 - Traditional, Mahogany L-103 - French Provincial, Cherry L-102 - Contemporary, Walnut L-101 - Traditional, Mahogany |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 13 note fixed |
| Controls: | 9 upper manual drawbars, 7 lower manual drawbars, 1 pedal drawbar, tablets include Percussion (2nd, 3rd, fast decay, percussion soft), Vibrato (small, chorus, celete1, celeste2) |
| Amplification: | built in preamp and power amp |
| Reverb: | springline |
| Pictures: | A standard L100 (L102) The L100P 'portable' version, L100P L100P catalogue L100P catalogue Another L100P L100P close lid L100P side An L103 Catalogue L122 Catalogue L133 Catalogue L143 An L122 from ebay An L133 from an unknown source An L162; lid open L162; lid closed |
| Notes: | Spinet Model with mechanical tonewheel generator and non-scanner vibrato. Two levels of vibrato and chorus, small selection of preset tabs, reverb with bright/soft settings. Percussion and chorus adjustable inside the cabinet. Mixture of valve & solid state electronics. Made in very large numbers, in more cabinets & finishes than the standard set listed above. Some later variants shipped with a factory installed pedal sustain unit and other options: L100A - extra percussion & special effects; L100-1 - six voice rythm unit; L100-2 with 'Rhythm II' unit; L200 - with 'Auto Rhythm' unit mounted on top |
| Model: | M |
| Production: | 1948 to 1951 |
| Style: | spinet |
| Finish: | Mahogany |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 12 note fixed |
| Controls: | 9 drawbars upper manual, 8 drawbars lower manual, 1 pedal drawbars, no percussion, simple vibrato |
| Amplification: | internal (valve) preamp and power amp |
| Power: | 11W |
| Speakers: | 1x12inch |
| Notes: | Home style spinet with an internal amplifier and speaker. Mechanical tonewheel generator. Drawbars-only organ, with no presets of any kind. Mechanical tone generator and vibrato scanner, no harmonic foldback. Pedal sustain feature, with toe-switch mounted on the expression pedal. |
| Model: | M-100 |
| Production: | 1961 to 1968 |
| Size (W/D/H): | 46.0x25.0x38.0 (inches) |
| Style: | spinet |
| Finish: | M-162 - Contemporary, Maple M-143 - French Provincial, Pecan M-111 - Contemporary, Mahogany M-103 - French Provincial, Cherry M-102 - Contemporary, Walnut M-101 - Traditional style, Mahogany M-165 - Tudor, Maple |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 13 note fixed; with pedal sustain |
| Controls: | 9 upper manual drawbars, 8 lower manual drawbars, 1 pedal drawbar, tablets include Percussion (2nd, 3rd, fast decay, percussion soft), Vibrato (small, chorus, celete1, celeste2) |
| Amplification: | built in preamp and power amp |
| Speakers: | main 2x12inch, reverb 1x8inch |
| Reverb: | springline |
| Pictures: | From a catalogue M101 From a catalogue M102 From a catalogue M103From a catalogue M111 M102 A very nice and rather rare M103 from John Schulien M103 from John Schulien M111 A rare factory split version; M102 Split M102back Split M102 amplifier |
| Notes: | Home style spinet with internal amplifier and speakers. Mechanical tone generator with scanner vibrato, no harmonic foldback. M100A had extra percussion features. In the UK there was also a "factory split" version produced. |
| Model: | M-2 |
| Production: | 1951 to 1955 |
| Style: | spinet |
| Finish: | Mahogany |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 12 note fixed |
| Controls: | 9 drawbars upper manual, 8 drawbars lower manual, 1 pedal drawbars, vibrato (upper, lower, chorus/vibrato, depth) |
| Amplification: | internal (valve) preamp and power amp |
| Power: | 11W |
| Speakers: | 1x12inch |
| Notes: | Home style spinet with an internal amplifier and speaker. Mechanical tonewheel generator. Drawbars-only organ, with no presets of any kind. Mechanical tone generator and vibrato scanner, no harmonic foldback. Pedal sustain feature, with toe-switch mounted on the expression pedal. |
| Model: | M-3 |
| Production: | 1955 to 1964 |
| Style: | spinet |
| Finish: | Mahogany Blonde Maple |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 12 note fixed |
| Controls: | 9 drawbars upper manual, 8 drawbars lower manual, 1 pedal drawbars, percussion (on/off, soft/normal, 3rd/2nd, slow/fast), vibrato (upper, lower, chorus/vibrato, depth) |
| Amplification: | internal (valve) preamp and power amp |
| Power: | 11W |
| Speakers: | 1x12inch |
| Pictures: | M3 M3 and its back from Jason Richard A nice M3 A nice M3 M3 controls detail |
| Notes: | Home style spinet with an internal amplifier and speaker. Mechanical tonewheel generator. Drawbars-only organ, with no presets of any kind. Mechanical tone generator and vibrato scanner, no harmonic foldback. Pedal sustain feature, with toe-switch mounted on the expression pedal. |
| Model: | Others |
| Pictures: | The Hammond 350 prototype from 1985 - never made it into production 124 JM3 142 144 146 123 J3Aurora Century from a catalogue Aurora Concorde Cougar 7100 Cougar, Cougar Dolphin 9300 Elegante Everett Grandee 11100 Maverick 5200 Phoenix 1100 Regent 4172 Sounder |
| Notes: | Sometransistor organs from Hammond, made after tonewheel production ceased. These models are not collected, and in general are worthless (except perhaps the 350, of which only one exists!) |
| Model: | N-100 |
| Style: | spinet |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 13 note fixed |
| Controls: | No drawbars, presets, vibrato, pedal controls, percussion, Leslie |
| Amplification: | built in preamp and power amp |
| Notes: | Home style spinet with internal amplifier and speakers. Transistor organ, N100 basic model, N200 built in Leslie, N300 Leslie and rhythm unit. |
| Model: | Novachord (also Model H) |
| Production: | 1940 to 1948 |
| Notes: | Polyphonic synthesiser. 169 vacuum tubes, attack control, sustaining pedals, 500lbs. Plugs into PR-40 (but has internal speakers). 1069 made. A single 72 note manual. 3 Octave valve based mono synth. Hell to keep in tune. J introduced in 1940, K in 1946, L in 1948. |
| Model: | Porta-B |
| Size (W/D/H): | 42.0x20.0x35.0 (inches) |
| Power: | 15W |
| Speakers: | 2x6inch round, 2 of 7x5inch oval |
| Notes: | Portable version of the L100. "Porta-B" was the US/UK designation; on continental Europe it was also known as the L100P or P100. Mechanical tone wheel generator, two 44 note keyboards, 9 drawbars for upper keyboard 7 drawbars for lower keyboard,one 16' for bass, lower keyboard, 13 note pedalboard, 12 rocker switches, touch response percussion. |
| Model: | P100 |
| Notes: | European designation of the Porta-B - basically the same organ. |
| Model: | R100 |
| Style: | console |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Pictures: | R124 R195 R100 |
| Notes: | Full size organ with transistor amps and built in Leslie - similar to E100. One set of nine drawbars for each manual, Hammond Rythm unit 2, built in reverb. |
| Model: | RT |
| Production: | Jul 1949 to Sep 1949 |
| Size (W/D/H): | 57.0x47.0x47.5 (inches) |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 32 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only |
| Notes: | Equipped with Hammond vibrato providing three degrees of true vibrato and an 'OFF' position, effective simultaneously on both manuals, together with vibrato chorus usable in three different degrees and 'OFF'. Equipped with Hammond vibrato providing three degrees of true vibrato and an 'OFF' position, effective simultaneously on both manuals, together with vibrato chorus usable in three different degrees and 'OFF'. |
| Model: | RT-2 |
| Production: | Nov 1949 to Jan 1955 |
| Style: | console |
| Finish: | Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 32 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals |
| Amplification: | internal (valve) preamp only |
| Pictures: | RT2 |
| Notes: | Same as model RT but with controls which provide vibrato on either or both manuals, also additional control for 'NORMAL' or 'SOFT' overall volume. |
| Model: | RT-3 |
| Production: | Jan 1955 to 1973 |
| Style: | console |
| Finish: | Oak Walnut |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 32 note radiating, detachable |
| Controls: | 9 preset keys and 2 sets of 9 harmonic drawbars for each manual, 2 (16ft and 8ft) for pedals, one expression pedal controlling swell, great, and pedals, vibrato chorus (3 levels, great & swell), percussion (soft/normal, slow/fast, 2nd/3rd) |
| Pictures: | Blonde RT3 an unusual blonde finish RT3 RT3 RT3 serial number 0002 (UK, not US) still in excellent condition RT3 with 147 and PR40 Catalogue RT3 RT3 with F100 attached |
| Notes: | Same as RT-2 (ie 3 chorus/vibrato settings and a volume soft/normal tab) but with Hammond percussion feature as well (as per C3/B3). Pedal solo system has separate volume control, providing the following solo effects: 32-foot bourdon, 32-foot bombarde, 16 foot solo, 8-foot solo, 4-foot solo, 2- and 1-foot solo, also tablets for mute control and pedal 'ON'. Weighs 525lbs. |
| Model: | S6 Chord Organ |
| Size (W/D/H): | 40.5x21.0x34.0 (inches) |
| Weight (with bench & pedals): | 140 (lbs) |
| Pictures: | S6S6 controls detail S6 controls detail |
| Notes: | Autochording organ. Three sections: Solo unit, Chord unit and Bass unit with seperate volume controls. Solo unit is monophonic and driven from the 37 note keyboard, taking the highest key pressed, the chord unit is driven from tabs which has one oscillatoe for each group of two or three keys, preferring the lowest one, and two pedals to play the bass notes; one for the tonic and the other the fifth of the current chord. Individual buttons control 96 different standard organ sounds. Very difficult to keep in tune. Two internal speakers. Also sold as a model 2022 or 'Hammond Everett'. |
| Model: | SY100 |
| Production: | 1974 to 1976 |
| Pictures: | Catalogue S100 Close up of S100 controls |
| Notes: | Same as S6 but with a swell pedal instead of a knee lever. |
| Model: | T100 |
| Production: | 1968 to 1975 |
| Size (W/D/H): | 45.0x25.0x44.5 (inches) |
| Weight (with bench & pedals): | 235 (lbs) |
| Style: | spinet |
| Finish: | T295 - mediterranean oak T243 - early American cherry T233 - french Provincial cherry T222 - contemporary walnut T212 - traditional walnut T211 - traditional red mahogany T111/112 - basic organ |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 13 note fixed |
| Controls: | 9 upper manual drawbars, 7 lower manual drawbars, 1 pedal drawbar, tablets include Percussion (2nd, 3rd, fast decay, percussion soft), Vibrato (small, chorus, celete1, celeste2) |
| Amplification: | solid state internal amp |
| Power: | 34W |
| Speakers: | main & reverb |
| Reverb: | springline |
| Pictures: | A very well split T200 Split T200 showing upper section T212 A T222 from Pedro Ravent T222 back T233 T243 T282 T295 T500 T562L A nice looking TTR100 |
| Notes: | Transistor tonewheel spinet organ with vibrato and repetative percussion voices. Transistor amps, reverb, rythm units and in built Leslie. T100 - basic organ, no built in Leslie T200 - as T100 with built in 2 speed Leslie, and sometimes bolt on rhythm units. T300 - as T200 with built in rhythm unit. T400 - similar to the T300, with some extra features such as 'reiteration'. T500 - as the T400, with more extra features such as a built in tape deck. Also TTR100 produced in eurpoe - a portable version of the T100, and the XTP which is a cross between an X66 and a Porta-B. The T100 series were made in very large numbers. |
| Model: | TTR100 |
| Pictures: | A nice looking TTR100 Another nice TTR100 with a matching Leslie 145; one two three four. |
| Notes: | This is a portable version of the T100, produced in the UK and mainland Europe only. |
| Model: | X-2 |
| Size (W/D/H): | 34.0x23.5x37.0 (inches) |
| Weight (with bench & pedals): | 44 (lbs) |
| Manuals: | single 49 keys |
| Controls: | 9 drawbars for manual, vibrato (simulated), percussion (2nd, 3rd and 5th) loud/soft, fast/slow |
| Pictures: | X2 |
| Notes: | Tone generator organ with divider circuitary. |
| Model: | X-5 |
| Size (W/D/H): | 44.5x25.0x36.0 (inches) |
| Weight (with bench & pedals): | 165 (lbs) |
| Style: | spinet |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 13 note detachable |
| Controls: | 4 presets, 9 drawbars for upper manual, 7 for lower, 1 drawbar (16ft+8ft) for pedals, 3 chorus/vibrato levels (simulated), percussion (2 harmonics) |
| Pictures: | X5 |
| Notes: | Tone generator organ, had string bass unit and 760 interface with controls. |
| Model: | X-66 |
| Production: | May 1965 to 1972 |
| Style: | console |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 4 drawbar sets, 18 changeable presets |
| Pictures: | X66 |
| Notes: | Console organ with top octave tonewheel generator. 49 note arpeggiator, stereo reverb, attack perdussion, sustain percussion, special X-66 tone cabinet (can be connected to 122 and similar through Leslie kit 8066). Non-traditional Hammond appearance, bench and organ supported by steel columns. |
| Model: | X-77 |
| Production: | 1967 to 1975 |
| Style: | console |
| Manuals: | swell & great, 61 keys each |
| Pedals: | 25 note radiating, detachable |
| Controls: | 11 lower, 10 upper, and 4 pedal drawbars, foot vibrato switch (vibrato provided in the tone cabinet) |
| Amplification: | internal preamp only |
| Pictures: | X77 X77 closeup A lovely X77 (Teresa Arnold) |
| Notes: | Console style with two 61-note manuals. Has a self-starting, 96 frequency, tonewheel generator. 49-note arpeggiator, stereo reverb, attack percussion, harp sustain, variable reiteration, alternating reiteration, cymbal and brush, music rack light. Required a special X-77 tone cabinet for each version. Wood console body on polished aluminum legs. Available in Walnut, Cherry and Custom finishes. |
| Model: | XTP |
| Style: | portable spinet |
| Manuals: | swell & great, 44 keys each (offset) |
| Pedals: | 13 note fixed |
| Pictures: | An XTP (from Serge Clement) An XTP again (from Serge Clement) XTP showing removable speaker XTP original brochure scan |
| Notes: | Internally a T400. Speakers sit under the console, but can be removed and placed elsewhere. |
| Model: | 100GK/101GK |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | 4 channel; tube |
| Rotors: | one Rotosonic C |
| Speeds: | fast only |
| Hookup: | other |
| Notes: | For Gulbransen organ models G and K. Leslie switch switched between rotosonic drum and straight speakers mounted in top louvres. 122 style cabinet. |
| Model: | 110 |
| Amplification: | none |
| Rotors: | two bass |
| Speeds: | fast-slow |
| Hookup: | 6D |
| Pictures: | 110 |
| Notes: | For spinets - has no internal preamp. 112 has two openings in foam rotor and spins more slowly for more complex voicing, 114 as per 110 but 'Piper Organ' grill cloth, 116 as per 110 but 'Kimball Organ' grill cloth, 120 no grill cloth, 120C as per 120 but slower rotor speed. |
| Model: | 120 |
| Amplification: | none |
| Speakers: | M |
| Rotors: | one bass rotor |
| Speeds: | fast-slow |
| Hookup: | 6D |
| Notes: | An amplifierless Leslie, akin to the 110. |
| Model: | 122 |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6A |
| Pictures: | 122 (with a C3) Another 122 An amp from a 122 leslie |
| Notes: | For Hammonds A,B,C,RT,et. al. |
| Model: | 122A |
| Hookup: | 6A |
| Notes: | This is a "new" Leslie produced by Hammond Suziki. Same as the 122, but with a single motor on each rotor and a tachometer circuit to control speed. |
| Model: | 122A-T |
| Notes: | Same as 122A except for textured black finish for rugged professional applications. |
| Model: | 122R or V |
| Notes: | Same as a 122 but with cut outs on one side for a reverb speaker and kit (not installed - see 122RV) |
| Model: | 122RV |
| Reverb: | springline |
| Notes: | Same as a 122R with reverb kit factory installed. Reverb speaker is a 6x9 type E. |
| Model: | 122XB |
| Notes: | Electrically identical to the 122A except that it is configured with an 11 pin connector to interface directly with the newer, Hammond XB series. |
| Model: | 122XB-T |
| Notes: | Same as 122XB, except with textured black finish and side handles for rugged professional applications. |
| Model: | 125 |
| Size (W/D/H): | 33.0x29.0x21.0 (inches) |
| Amplification: | tube |
| Power: | 20W |
| Speakers: | M |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | 6B |
| Pictures: | 125 Nice condition 125 Inside 125 |
| Model: | 130 |
| Size (W/D/H): | 30.0x27.0x20.0 (inches) |
| Amplification: | solid state |
| Power: | 50W |
| Speakers: | B,M |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | 130 front 130 back |
| Model: | 142 |
| Size (W/D/H): | 33.0x29.0x21.0 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6A |
| Pictures: | A mint condition 142 in an unusual darker finish |
| Notes: | 122 in a shorter (145) cabinet |
| Model: | 145 |
| Size (W/D/H): | 33.0x29.0x21.0 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6B |
| Pictures: | 145 in standard walnut finish Refinished 145 145 (next to a 770) Another 145 in standard walnut finish 145 back with earlier solid wood panels |
| Notes: | 147 in a shorter cabinet - probably the most common leslie in the UK, many sold with L100/M100 organs |
| Model: | 147 |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6B |
| Pictures: | 147 in a dark walnut finish 147 in perfect condition (with a B3) 147 with a RT3 |
| Notes: | For most any organ, same case as 122. |
| Model: | 147R or V |
| Notes: | Same as 147 but with cutouts on one side of the cabinet for a reverb speaker and kit (not installed - see 147RV) |
| Model: | 147RV |
| Reverb: | springline |
| Notes: | Same as 147 with reverb kit factory installed. Reverb speaker is a 6x9 type E. |
| Model: | 16 |
| Size (W/D/H): | 29.0x21.0x14.0 (inches) |
| Amplification: | none |
| Speakers: | I |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | other |
| Pictures: | 16 16 inside |
| Notes: | Special connector for Combo Guitar amps |
| Model: | 18 |
| Size (W/D/H): | 29.0x21.0x14.0 (inches) |
| Amplification: | none |
| Speakers: | L |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | other |
| Model: | 202 |
| Hookup: | 11 |
| Notes: | Multchannel organ speakers. Bass rotor spins slower than standard, upper and lower rotors switched seperately, some straight speakers inside. 145 style cabinet, but with 3 louvres at the top. |
| Model: | 205 (610) |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | tube 64W, 7189 finals |
| Power: | 64W |
| Rotors: | two Rotosonic drums |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Notes: | Multchannel organ speakers. Bass rotor spins slower than standard, upper and lower rotors switched seperately, some straight speakers inside. 122 style cabinet. |
| Model: | 21H |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | X,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6A |
| Pictures: | A 21E A 21H |
| Notes: | 21H was the first to use the modern 41x29x20.5 inch cabinet. Top has single louvre on each side, divided in front, but top louvres are now in the same direction as the bottom (tapered side faces down). Otherwise, identical to 122. Single-speed, both motors mounted downward. 32H power amplifier had four 6V6s in push-pull parallel configuration. 30W amplifier w/p-p parallel 6L6s was optional, as was a dynamic brake. The woofer was an electrodynamic type. |
| Model: | 222 |
| Size (W/D/H): | 30.0x40.0x20.0 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6A |
| Notes: | Same as the 122 except decorator style cabinet |
| Model: | 222R or V |
| Notes: | Same as 222 but with cutouts in the cabinet for reverb speakers and kit (not installed) |
| Model: | 222RV |
| Reverb: | springline |
| Notes: | Same as 222 with reverb kit factory installed. Reverb Speakers are 2 6x9 type E |
| Model: | 225 |
| Amplification: | tube |
| Power: | 20W |
| Speakers: | M |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | 6B |
| Pictures: | 225 front 225 back Another 225 frontANother 225 back |
| Notes: | Same as a 125 but in a different cabinet |
| Model: | 22H |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6A |
| Notes: | Identical in appearance to the 122. Single speed. Has 15 inch Permanent Magnet Jensen P15LL, and 3/4 inch Jensen driver. First generation of modern amplifier using 6550 output tubes and 0C3 regulator. First series below serial 21500 uses 5U4 rectifier section, amplifier rated at 35 watts. Later series serial 21500 to 24500 uses diode rectifier section, amplifier rated at 40 watts. |
| Model: | 22R |
| Notes: | Same as 22H, set up for field installation of reverb kit. Cabinet has additional side louvers on each side for reverb speaker, with internal back box for 6x9 inch speaker isolation. Top compartment is slightly taller (center section is smaller) to allow room for reverb amp installation on top shelf. First series below sn 40900 uses amplifier as above; 40900 to 42500 use diode rectifier amplifier. Reverb system includes: one 6x9 inch speaker; necklace-type spring delay mounted on inside of LF cabinet wall; reverb amplifier using p-p 7189 tubes mounted in top compartment. |
| Model: | 247 |
| Size (W/D/H): | 30.0x40.0x20.0 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6B |
| Notes: | Same as 147 except decorator style cabinet |
| Model: | 247R or V |
| Notes: | Same as 247 but with cutouts in the cabinet for reverb speakers and kit (not installed) |
| Model: | 247RV |
| Reverb: | springline |
| Notes: | Same as 247 with reverb kit factory installed. Reverb speakers are 2 6x9 type E |
| Model: | 25 |
| Size (W/D/H): | 34.0x29.0x18.5 (inches) |
| Amplification: | tube 6L6 P-P |
| Speakers: | M |
| Rotors: | one |
| Speeds: | fast-stop |
| Hookup: | 6B |
| Notes: | Single speed, also called the Orpheus. |
| Model: | 251 |
| Size (W/D/H): | 40.0x29.0x21.0 (inches) |
| Amplification: | tube 40W + 15W, 6550 finals |
| Power: | 55W |
| Speakers: | F,F,O,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 6C |
| Pictures: | A refinished 251 from the front A refinished 251 from the back A refinished 251 inside showing the reverb speakers An amp removed from a 251 A near perfect 251 from the front A near perfect 251 from the backA near perfect 251 inside Closeup of a 251 amp 251 original connection kit |
| Notes: | This was intended for use with the 'Self contained' models like the A100 or the M100. Same cabinet as the 122/147 with extra lourves for the reverb speakers. |
| Model: | 30 |
| Amplification: | tube |
| Power: | 20W |
| Speakers: | X,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | other |
| Notes: | Very first Leslie model, made 1940. 30A had a slower tremelo. 30C was a church version. |
| Model: | 300 |
| Notes: | Four channels, four speakers; rotating bass drum (fast/slow), static horns. |
| Model: | 315 |
| Notes: | Same as 415 except different cabinet 'Combo Professional' |
| Model: | 31H |
| Amplification: | tube |
| Power: | 30W |
| Speakers: | X,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6A |
| Pictures: | 31H from Nick Georges 31H |
| Notes: | This was the first Leslie built for use with Hammond organs. The case looked different to the later models, with a larger bottom part. Also it featured at least 3 different amps, all similar in appearance, but early ones used a toggle switch for fast/off, latter ones had a hook up like the 122. More notes on the 31H can be found here, from Sal Azz. Early hookup - Non Standard, Later - 6A |
| Model: | 330 |
| Size (W/D/H): | 37.0x29.0x21.0 (inches) |
| Amplification: | solid state |
| Power: | 60W |
| Speakers: | O,R |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | 330 |
| Model: | 351 |
| Size (W/D/H): | 30.0x29.0x20.5 (inches) |
| Pictures: | A 351 351 inside 351 inside showing the cramped rotors |
| Notes: | Same as 251 except decorator style cabinet |
| Model: | 415 |
| Size (W/D/H): | 30.0x27.0x18.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 140W |
| Speakers: | A,A,E,K,P |
| Rotors: | treble and Rotosonic C |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Model: | 44 |
| Size (W/D/H): | 33.0x28.0x21.0 (inches) |
| Amplification: | tube |
| Power: | 40W |
| Speakers: | X,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6B |
| Pictures: | 44W 44W |
| Notes: | Early 45 |
| Model: | 45 |
| Size (W/D/H): | 33.0x28.0x21.0 (inches) |
| Amplification: | tube, 6550 finals |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6B |
| Pictures: | 45 |
| Model: | 46 |
| Size (W/D/H): | 41.0x28.0x21.0 (inches) |
| Amplification: | tube |
| Power: | 40W |
| Speakers: | X,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6B |
| Notes: | Early 47 |
| Model: | 47 |
| Size (W/D/H): | 41.0x28.0x21.0 (inches) |
| Amplification: | tube |
| Power: | 40W |
| Speakers: | O,P |
| Rotors: | bass and treble |
| Speeds: | fast-stop |
| Hookup: | 6B |
| Model: | 51 |
| Size (W/D/H): | 41.0x29.0x20.5 (inches) |
| Amplification: | 2 channel; tube |
| Power: | 40W |
| Speakers: | F,F,O,P |
| Rotors: | two |
| Speeds: | fast-stop |
| Hookup: | other |
| Notes: | For 2 channel organs rotor & stationary or main & reverb |
| Model: | 700 |
| Size (W/D/H): | 33.0x29.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 90W |
| Speakers: | S,S,N,P |
| Rotors: | one Rotosonic C |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Pictures: | 700 front 700 back |
| Notes: | Built to be used with Hammond LSI organs like the Concorde, but worked with the two channel Lowrey, Baldwin, Yamaha and other 70s vintage organs. |
| Model: | 705 |
| Size (W/D/H): | 33.0x29.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 90W |
| Speakers: | S,S,N,P |
| Rotors: | one Rotosonic C |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | 705 |
| Notes: | Functionally identical to the 700, but with an 11 pin hookup and minor cosmetic differences. |
| Model: | 710 |
| Size (W/D/H): | 41.0x29.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 90W |
| Speakers: | S,S,N,P |
| Rotors: | treble and Rotosonic C |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Pictures: | 710 710 inside |
| Model: | 715 |
| Size (W/D/H): | 42.0x29.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 215W |
| Speakers: | D,D,S,N,P |
| Rotors: | treble and Rotosonic E |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | 716(similar to 715) from a catalogue 716 catalogue page |
| Model: | 720 |
| Size (W/D/H): | 42.0x28.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 90W |
| Speakers: | H,H,J,N,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | 720 Rear view showing internals |
| Model: | 722 also HL722 |
| Size (W/D/H): | 42.0x31.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 215W |
| Speakers: | D,D,S,N,P |
| Rotors: | treble and Rotosonic E |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | 722 |
| Notes: | Made for Old Hammond B-3000 (Analog Synth of a B3) |
| Model: | 723 |
| Pictures: | 723 723 detail 723 inside 723 catalogue |
| Notes: | Two channel Leslie for Hammons 825 organs. |
| Model: | 730 |
| Size (W/D/H): | 45.0x29.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 90W |
| Speakers: | H,H,M,N,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Model: | 750 |
| Pictures: | 750 |
| Model: | 760 |
| Size (W/D/H): | 43.0x28.0x23.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 90W |
| Speakers: | N,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Notes: | One of the most popular one-case Leslies. |
| Model: | 77L/77P |
| Notes: | Made to work with the X77 Hammond, it has four 50W solid state amplifiers, and a conventional upper rotor. There is also a 15 inch bass speaker for the pedals, and a Rotosonic drum with one 6x9 speaker. The 77L has 2 each 6x9 speakers for the non-vibrato, and an 8 inch speaker for the percussion channel. The 77P model has 4 each 6x9 speakers that share the non-vibrato and percussion signals. |
| Model: | 770 |
| Pictures: | 770 |
| Notes: | Same as 760 except wooden case identical to 122/147; this is an underated Leslie |
| Model: | 815 |
| Size (W/D/H): | 44.0x28.0x21.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 215W |
| Speakers: | D,D,S,N,P |
| Rotors: | treble and Rotosonic E |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Model: | 820 |
| Size (W/D/H): | 31.0x25.0x19.0 (inches) |
| Amplification: | solid state |
| Power: | 50W |
| Speakers: | L |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Model: | 822 also HL822 |
| Size (W/D/H): | 47.0x28.0x38.0 (inches) |
| Amplification: | 2 channel; solid state |
| Power: | 215W |
| Speakers: | D,D,S,N,P |
| Rotors: | treble and Rotosonic E |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Pictures: | HL822 822 front 822 back |
| Model: | 825 |
| Size (W/D/H): | 31.0x25.0x19.0 (inches) |
| Amplification: | solid state |
| Power: | 70W |
| Speakers: | L |
| Rotors: | one |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Notes: | Hooks up to a Leslie Combo Preamp II |
| Model: | 860 |
| Size (W/D/H): | 25.0x25.0x19.0 (inches) |
| Amplification: | solid state |
| Power: | 120W |
| Speakers: | L,R |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 11 |
| Model: | 900 |
| Amplification: | solid state |
| Power: | 100W |
| Speakers: | F,F,N,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Notes: | 2 piece road cabinet wit built in reverb |
| Model: | 910 |
| Size (W/D/H): | 55.0x29.0x21.0 (inches) |
| Amplification: | solid state |
| Power: | 100W |
| Speakers: | F,F,N,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow-stop |
| Hookup: | 9 |
| Pictures: | 910 from Peter Jones |
| Notes: | 2 piece road cabinet w/built-in reverb. Two 6x9 speakers in the upper rotor cabinet fed by a 30W amp for the reverb, one 15 inch bass woofer fed by a 50W amp, and the 30W amp for the treble rotors. The lower rotor stops when on Chorale speed. |
| Model: | 925 |
| Size (W/D/H): | 55.0x29.0x21.0 (inches) |
| Amplification: | solid state |
| Power: | 140W |
| Speakers: | F,F,F,F,N,P |
| Rotors: | bass and treble |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Notes: | 2 piece road cabinet |
| Model: | 950 |
| Size (W/D/H): | 68.0x36.0x23.0 (inches) |
| Amplification: | solid state |
| Power: | 200W |
| Speakers: | L,L,L,L |
| Rotors: | four |
| Speeds: | fast-slow |
| Hookup: | 9 |
| Pictures: | 950 |
| Notes: | 2 piece road cabinet with four independent visible rotors, and black light effects |
| Model: | HL422 |
| Notes: | Same as 415 except made for Old Hammond B-3000 (Analog synth of the B3) |
| Model: | X77 |
| Pictures: | X77 |
| Notes: | Specifically built for the X77 organ |
| Model: | A-20 |
| Production: | Oct 1935 to Oct 1939 |
| Size (W/D/H): | 27.0x15.0x30.0 (inches) |
| Amplification: | parallel push-pull 2A3s, 2-56 triodes, 1-5Z3 rectifier |
| Power: | 20W |
| Speakers: | 2x12inch electrodynamic |
| Pictures: | A20 with doors open A20 with doors shut A20 inside |
| Notes: | Tone cabinet for Hammond organs. Attractive cabinet with doors, makes a great bar. |
| Model: | A-40 |
| Production: | Oct 1935 to 0ct 1947 |
| Size (W/D/H): | 26.5x19.0x28.0 (inches) |
| Power: | 40W |
| Speakers: | 4x12inch electrodynamic |
| Pictures: | A40 (the black box with four speakers, note the later made case it slid into) |
| Notes: | Tone cabinet for Hammond organs. Uses two of the A-20 amps in parallel. |
| Model: | B-40 |
| Production: | Nov 1936 to Dec 1947 |
| Power: | 40W |
| Notes: | Tone cabinet for Hammond organs. Same as the A-40 in a seme decorative cabinet. |
| Model: | C-20 |
| Production: | Oct 1937 to Mar 1942 |
| Amplification: | 4x6V6, 1x6SN7 and 1x5U4 |
| Power: | 20W |
| Notes: | Tone cabinet for Hammond organs. Very early units used same amp as A-20. All C-20 cases were quite deluxe. |
| Model: | C-40 |
| Size (W/D/H): | 38.0x27.5x71.0 (inches) |
| Notes: | Tone cabinet for Hammond organs. Spinette style cabinet. Same specs as A-40. |
| Model: | CX-20 |
| Production: | Jan 1939 to Mar 1942 |
| Notes: | Tone cabinet for Hammond organs. Same as C-20 with tremolo rotor, similar to Leslie bass rotor. speakers were mounted on a 'Vee' shaped baffle with the rotor in the center. |
| Model: | CXR-20 |
| Notes: | Tone cabinet for Hammond organs. Same specs as CR-20 with addition of the oil reverb unit. An additional preamp chassis with 2x6J5 and 2x6J7 interfaced the reverb. On later units the tubes were 1x6SN7 and 2x6SJ7 |
| Model: | D-20 |
| Pictures: | 1938 D20 in Oak |
| Notes: | Tone cabinet for Hammond organs. Same as C-20 in a more utilitarian cabinet. |
| Model: | DR-20 |
| Pictures: | A DR20 (with a BC) (Scott Williams) DR-20 amplifier (Scott Williams) |
| Notes: | Tone cabinet for Hammond organs. Same as D-20 with addition of oil reverb. See CXR-20 for description of amplifiers(s). On later versions, reverb preamp was incorporated into the main amp chassis. |
| Model: | DU-1 |
| Pictures: | DU1 |
| Notes: | Tone cabinet for Hammond organs. A demonstration tone cabinet used by Hammond salesmen to show off the reverb unit. |
| Model: | DXR-20 |
| Pictures: | DXR-20 (with a Hammond D) (from Scott Williams) DXR-20 amplifier (from Scott Williams) DXR-20 rotor (from Scott Williams) DXR-20 foot control (from Scott Williams) |
| Notes: | Tone cabinet for Hammond organs. Same as CXR-20 in a plainer case. |
| Model: | ER-20 |
| Production: | Mar 1947 to Dec 1950 |
| Size (W/D/H): | 31.0x18.0x38.8 (inches) |
| Notes: | Tone cabinet for Hammond organs. Same speakers, amps and reverb as late DR-20. |
| Model: | F-40 |
| Production: | Jan 1948 to Dec 1957 |
| Size (W/D/H): | 32.0x28.5x39.0 (inches) |
| Notes: | Tone cabinet for Hammond organs. Essentially a B-40 with revised woodwork dimentions to accomodate a reverb unit. When so equipped, becomes FR-40. |
| Model: | H-40 & HR-40 |
| Production: | Oct 1948 to Feb 1960 |
| Size (W/D/H): | 33.0x17.0x48.0 (inches) |
| Amplification: | 2x5U4, 2x6SN7, 2x6SJ7, 1x6SC7 and 8x6V6 |
| Power: | 40W |
| Speakers: | 9x10inch bass, 2x12inch treble |
| Reverb: | oil |
| Notes: | Tone cabinet for Hammond organs. 'R' model has oil reverb which affects only the treble channel. Two amplifiers similar to D-20 or DR-20 in early units. Active crossover at 200 Hz 12dB per octave. |
| Model: | JR-20 |
| Production: | Mar 1951 to Feb 1959 |
| Size (W/D/H): | 29.8x16.0x39.8 (inches) |
| Amplification: | 1x5U4, 4x6V6, 2x6SJ7, 2x6SN7 and 1x6SC7 |
| Power: | 20W |
| Speakers: | 4x10inch bass, 1x12inch treble |
| Reverb: | oil |
| Notes: | Tone cabinet for Hammond organs. Active crossover - 200HZ, 12db per oct. Most B and C, 2 and 3's were sold with this cabinet. |
| Model: | K-40 & KR-40 |
| Notes: | Tone cabinet for Hammond organs. Same as H and HR-40 in utility cabinet. |
| Model: | Series 10 |
| Power: | 145W |
| Speakers: | 1x15inch, 2x8inch |
| Notes: | Tone cabinet for Hammond organs. Solid-state for H-100, E-100, etc. |
| Model: | Series 12 |
| Notes: | Tone cabinet for Hammond organs. Solid-state for the X-66 only. |
| Model: | P-4 &, Q-40 |
| Notes: | Tone cabinet for Hammond organs. Same as PR-40 and Q-40 sans reverb. |
| Model: | PR-20 & QR-20 |
| Production: | Feb 1959 to Jul 1963 |
| Size (W/D/H): | 31.5x18.0x37.5 (inches) |
| Amplification: | 1x5U4, 1x12BH7, 2x12AX7, 1x12AU7, 2x6AU6, 6x6BQ5 and 1x2N169 transistor for reverb recovery |
| Power: | 20W |
| Speakers: | 2x15inch bass, 2x12inch treble |
| Reverb: | necklace |
| Notes: | Tone cabinet for Hammond organs. Three channels 0-200Hz bass, 200+Hz treble and treble reverb. |
| Model: | PR-40 & QR-40 |
| Power: | 50W |
| Pictures: | PR-40 with back removed (4th speaker hidden in the top) A PR-40 with a B2 Another PR-40 with an RT3 |
| Notes: | Tone cabinet for Hammond organs. Same as PR and QR-20 except 2 5U4's, heavier transformers and speakers. |
| Model: | PR150 |
| Pictures: | PR150 front PR150 inside PR150 serial plate |
| Notes: | Custom made by Boosey & Hawkes for special requirements. Contained 12 speakers and a reverb necklace. Some info on a couple of intalls can be found here, from Amanda Hambidge. |
| Model: | Reverb |
| Pictures: | Reverb front Reverb inside Reverb serial plate |
| Notes: | Seperate reverb speaker, often used with M3s. |
| Pin # | Function in a 900 series cabinet |
|---|---|
| 1 | Rotary (brown) |
| 2 | Main (if equipped) |
| 3 | Aux (if equipped) |
| 4 | circuit ground (yellow) |
| 5 | control supply common (green) |
| 6 | Cabinet on/off (Short to pin 5 to turn on) (blue) |
| 7 | fast motor control (violet) |
| 8 | slow motor control (gray) |
| 9 | n/c |
| 10 | n/c |
| 11 | +28.5v (white) |
| motor mode | short pin #5 to: |
|---|---|
| off | pins #6 only |
| slow | pins #6 and #8 |
| fast | pins #6 and #7 |
| Pin # | Function in a 900 series cabinet |
|---|---|
| 1 | Ground |
| 2 | Signal input |
| 3 | No Connection |
| 4 | Reverb/Aux control. Goes to ground, ground thru a diode, or open. |
| 5 | +28V out. |
| 6 | Goes to ground for FAST. |
| 7 | Goes to ground for SLOW. |
| 8 | 120/220V in. |
| 9 | 120/220V in. |
| Pin # | Function |
|---|---|
| 1 | Ground |
| 1 | balanced input signal |
| 2 | gnd |
| 3 | 120/220V AC input |
| 4 | 120/220V AC input |
| 5 | 310VDC Output (through 10kohm) for control voltage and early Hammond preamps |
| 6 | balanced input signal |
| Pin # | Function |
|---|---|
| 1 | Ground |
| 2 | 120/220V AC to relay solenoid |
| 3 | 120/220V AC input |
| 4 | 120/220V AC input |
| 5 | 120/220V AC to relay solenoid |
| 6 | unbalanced input signal |
| Pin # | Function |
|---|---|
| 1 | Ground |
| 2 | 120/220V AC to relay solenoid |
| 3 | 120/220V AC input |
| 4 | 120/220V AC input |
| 5 | unbalanced secondary channel signal |
| 6 | unbalanced input signal |
| Pin # | Function |
|---|---|
| 1 | Speaker |
| 2 | 120/220V AC to relay solenoid |
| 3 | 120/220V AC input |
| 4 | 120/220V AC input |
| 5 | 120/220V AC to relay solenoid |
| 6 | Speaker |
| Key | Part num | Details |
|---|---|---|
| A | 514-141153 | 2.52 inch - 8 ohm |
| B | 514-137316 | 3 inch- 8 ohm |
| C | 514-043125 | 6 inch x 9 inch - 8 ohm |
| D | 514-138879 | 6 inch x 9 inch - 8 ohm |
| E | 514-140431 | 6 inch x 9 inch - 8 ohm |
| F | 514-031062 | 6 inch x 9 inch - 16 ohm |
| G | 514-058214 | 6 inch x 9 inch - 16 ohm |
| H | 514-137610 | 8 inch - 8 ohm |
| I | 514-130540 | 10 inch - 4 ohm |
| J | 514-017202 | 10 inch - 8 ohm |
| K | 514-141069 | 12 inch - 4 ohm |
| L | NLA | 12 inch - 6 ohm |
| M | 514-137348 | 12 inch - 8 ohm |
| N | 514-031070 | 15 inch - 4 ohm |
| O | 514-052308 | 15 inch - 16 ohm |
| P | 514-140491 | Treble Driver (3/4 inch Throat |
| Q | NLA | 5 inch x 7 inch - 16 ohm |
| R | NLA | Treble Driver |
| S | 514-058214 | PN: 514-031062 w/ cover |
| T | NLA | 15 inch - 4 ohm |
| U | NLA | Treble Driver |
| V | 014-056646 | PN: 514-138879 w/ cover |
| W | 014-056941 | PN: ? w/ cover |
| X | NLA | 15 inch - 16 ohm Electro Dynamic |
